Print Susa 9 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Artegra Soft' by Artegra, 'ITC Stone Sans II' by ITC, 'Duddy' by Letritas, 'Interval Next' by Mostardesign, 'Core Sans N SC' by S-Core, 'Clearface Gothic SB' and 'Clearface Gothic SH' by Scangraphic Digital Type Collection, and 'Cleargothic Pro' by SoftMaker (names referenced only for comparison).
Keywords: kids branding, posters, packaging, headlines, signage, playful, friendly, chunky, casual, bubbly, approachability, handmade charm, playfulness, high impact, rounded, soft, hand-drawn, quirky, stumpy.
A heavy, rounded hand-drawn print with soft terminals and broadly inflated strokes. Forms are compact and slightly irregular, with a gentle wobble in curves and edges that keeps the texture human rather than geometric. Counters are generally tight and rounded, and many characters show subtly asymmetric bowls and joints that create an organic rhythm. Lowercase ascenders are thick and upright, while shapes like a, g, e, and s lean toward simplified, single-storey constructions; numerals follow the same chunky, friendly proportions.
Best suited to short-to-medium display settings where a bold, friendly personality is desirable: posters, packaging, kids-oriented materials, casual signage, and playful brand marks. It can work for brief text blocks when generous spacing and sizing are used to preserve clarity in the tight counters.
The overall tone is cheerful and approachable, with a childlike, cartoon-leaning warmth. Its soft, blobby silhouettes read as informal and welcoming, suggesting handmade signage or playful branding rather than formal typography.
The design appears intended to deliver maximum friendliness and visibility through thick strokes, rounded corners, and intentionally imperfect, hand-rendered contours. It prioritizes character and approachability over strict uniformity, aiming for an inviting, craft-like presence in display typography.
The weight distribution stays consistently full across the alphabet, but individual glyphs vary slightly in stance and curvature, which adds personality in longer text. Round letters (O, Q, G, 0, 8, 9) feel especially bulbous, and straight strokes (I, L, T) keep rounded ends that maintain the font’s soft voice.