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Free for Commercial Use

Sans Normal Opbat 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Modet' by Plau, 'Marble' by URW Type Foundry, and 'Bartosh' by jpFonts (names referenced only for comparison).

Keywords: headlines, branding, posters, ui labels, signage, modern, direct, friendly, confident, clean, impact, clarity, versatility, modern branding, screen readability, geometric, rounded, compact, monoline, sturdy.


Free for commercial use
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This typeface is a heavy, geometric sans with smooth, rounded curves and largely monoline stroke behavior. Counters are fairly open for the weight, with circular and oval forms that keep a consistent rhythm across letters and numerals. The lowercase shows a single-storey “a” and “g,” short, sturdy ascenders/descenders, and a compact overall footprint that helps lines set densely without feeling cramped. Terminals are clean and unadorned, and the numeral set is straightforward and highly legible with simple, familiar silhouettes.

It performs best in display roles such as headlines, brand wordmarks, poster typography, and prominent interface labels where its weight and clean geometry deliver immediate clarity. It can also work for short, high-contrast blocks of text (captions, pull quotes, navigation), especially when a modern, approachable sans voice is desired.

The overall tone is contemporary and no-nonsense, balancing a friendly roundness with a strong, assertive presence. It reads as practical and approachable rather than formal, giving a clear, dependable voice to headlines and short passages. The weight and smooth geometry lend it an energetic, confident feel suited to modern brand and interface contexts.

The design appears intended to provide a strong, contemporary sans with rounded geometric construction and dependable readability at larger sizes. Its compact proportions and consistent stroke logic suggest a focus on clear, versatile communication for modern visual systems.

Round letters (like O, C, G) maintain a stable, near-circular construction, while diagonals in forms like A, V, W, and Y are broad and steady, reinforcing a solid texture. The punctuation and spacing in the sample text appear optimized for impact at larger sizes, with a consistent, even typographic color across words and lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸