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Free for Commercial Use

Serif Other Tomy 2 is a very bold, very narrow, high contrast, upright, normal x-height font visually similar to 'Cralter' by Edignwn Type and 'Bodoni SB' by Scangraphic Digital Type Collection (names referenced only for comparison).

Keywords: headlines, posters, magazine titles, branding, packaging, dramatic, editorial, theatrical, vintage, authoritative, attention, space-saving, headline impact, classic drama, editorial voice, condensed, hairline serifs, beak terminals, bracketed serifs, flared strokes.


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This typeface is a tightly condensed serif with emphatic vertical stress and extreme thick–thin modulation. Stems are heavy and column-like, while hairlines and joins collapse to fine, sharp connections, creating a crisp, poster-ready rhythm. Serifs are small and pointed with a lightly bracketed feel, often resolving into beak-like terminals on curves and diagonals; counters are narrow and tall, reinforcing the compressed texture. Overall spacing reads compact and dense, with a consistent, upright stance and a sculpted, engraved-like silhouette.

This font is best suited for large-format display settings such as headlines, magazine mastheads, posters, and bold branding moments where narrow width and strong contrast help maximize impact in limited horizontal space. It can also work for packaging or event graphics that benefit from a classic, high-drama serif voice.

The tone is bold, dramatic, and slightly theatrical, evoking classic headline typography and vintage print display. Its sharp contrasts and tight proportions lend an authoritative, attention-grabbing voice suited to statements rather than quiet reading.

The design appears intended to deliver maximum presence in a condensed footprint, pairing monumental heavy stems with razor-thin hairlines for striking contrast. It aims for a refined but forceful display aesthetic, reminiscent of classic editorial and poster typography.

In the glyph set, several forms show distinctive hooked or beaked terminals (notably in letters with curves), and the numerals carry the same condensed, high-contrast treatment for a cohesive display system. The dense color and sharp joins suggest it will look strongest at larger sizes where fine hairlines can remain visible.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸