Stencil Imno 3 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Mollen' by Eko Bimantara, 'Articulo' by Gilar Studio, 'Corelia' by Hurufatfont, 'Nusara' by Locomotype, 'Core Sans E' by S-Core, and 'NuOrder' by The Northern Block (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, sportswear, industrial, tactical, modern, edgy, sporty, display impact, stencil utility, dynamic emphasis, brand distinctiveness, slanted, condensed, geometric, cutout, high-impact.
A slanted, heavy sans with stencil-like cutouts that create clear internal breaks across bowls, counters, and diagonals. Letterforms lean forward with compact proportions and firm, squared terminals, producing a tight, rhythmic texture in words. Curves are broadly geometric rather than calligraphic, and the repeated bridge placements give consistent segmentation across caps, lowercase, and figures. Numerals and round letters (like O, Q, 0, 8, 9) emphasize the design’s signature through central or near-central breaks that read cleanly at display sizes.
Best suited for short, high-visibility text such as posters, headlines, logos, apparel graphics, and bold packaging where the stencil breaks can read clearly. It also works well for event identities, product marks, and signage that benefits from a rugged, industrial edge.
The overall tone feels industrial and tactical, with a forward-leaning urgency that suggests motion and impact. The stencil interruptions add a utilitarian, engineered character, while the bold, sporty slant keeps it energetic and contemporary.
The design appears intended to blend a utilitarian stencil construction with a bold, slanted display voice, prioritizing immediate recognizability and motion over quiet text neutrality. Its consistent bridge system suggests it was drawn for strong visual identity in branding and headline applications.
The cutouts are large and high-contrast against the solid strokes, so the font’s identity is most pronounced in larger settings; in smaller sizes the bridges may become the dominant detail. The strong diagonal emphasis in letters like A, K, V, W, X, and Y reinforces a dynamic, directional look.