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Stencil Impi 7 is a bold, normal width, monoline, italic, normal x-height font visually similar to 'Macarena DT' by DTP Types, 'Chubbét' by Emboss, 'Grillmaster' by FontMesa, 'Performa' by Resistenza, and 'Mercedes Serial' by SoftMaker (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, industrial, rugged, tactical, sporty, mechanical, impact, marking, motion, durability, texture, slanted, high-contrast, blocky, angular, segmented.


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A heavy, slanted display face built from compact, blocky letterforms with crisp, squared terminals and consistent stroke thickness. The defining feature is its segmented construction: frequent vertical and horizontal breaks create clean bridges and open counters, producing a strong stencil rhythm across both uppercase and lowercase. Curves are simplified into sturdy arcs with flat cut-ins, while diagonals are sharp and assertive; spacing appears fairly tight, giving words a dense, poster-like texture. Numerals and capitals read especially solid, with repeated mid-stroke interruptions that keep the silhouette intact while adding graphic texture.

Best suited to short, high-impact settings such as posters, headlines, sports or event graphics, branding marks, and packaging where the stencil texture can be appreciated. It can also work for signage-style applications that benefit from a stamped or cut-out aesthetic, especially when set at larger sizes.

The overall tone feels industrial and utilitarian, with a rugged, equipment-marking attitude. The slant and bold massing add motion and urgency, suggesting speed, action, and mechanical precision rather than refinement. The stencil breaks contribute a tactical, stamped-on feel that reads as practical and hard-wearing.

The design appears intended to deliver a forceful, forward-leaning stencil look that remains legible while introducing a distinctive, engineered texture. Its simplified geometry and repeated bridges suggest inspiration from industrial labeling and cut-stencil lettering, optimized for graphic impact rather than long-form reading.

The stencil bridges are prominent enough to become a visual pattern at text sizes, so the face reads most confidently when set large or with generous tracking. Lowercase forms mirror the uppercase’s segmented logic, keeping the texture consistent across mixed-case settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸