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Sans Superellipse Orgok 8 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bananas' by Canada Type, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Otoiwo Grotesk' by Pepper Type, 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, and 'Tablet Gothic' by TypeTogether (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, editorial display, friendly, retro, playful, approachable, sturdy, impact, warmth, distinctiveness, legibility, rounded corners, soft-shouldered, slab-like terminals, compact apertures, display-friendly.


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A heavy, rounded sans with softened corners and subtly flared, slab-like terminals that give many strokes a gently braced feel. Curves are built from broad superellipse-like shapes—especially in O/C/e—and counters tend to be compact, producing dense, high-impact letterforms. The rhythm is energetic with small, intentional irregularities in stroke endings and joins, while keeping consistent weight and upright posture. Numerals match the robust, rounded construction and read clearly at larger sizes.

Best suited to display typography where its dense shapes and rounded geometry can be appreciated—headlines, posters, logotypes, packaging, and attention-grabbing editorial callouts. It can work for short text runs at comfortable sizes, but its tight counters and heavy color are most effective when given space and scale.

The overall tone is warm and slightly quirky, blending a mid-century, poster-like sturdiness with a contemporary softness. It feels informal and welcoming rather than technical, with a confident “chunky” presence that reads as fun and human.

The design appears intended to deliver a strong, friendly voice with rounded-rectangle geometry and sturdy stroke endings, creating a distinctive, high-impact texture for branding and display use.

Uppercase forms are particularly blocky and headline-oriented, while lowercase keeps the same weight and rounded logic, resulting in a cohesive texture in mixed-case settings. The punctuation and shapes shown suggest an emphasis on bold silhouettes and immediate recognition over fine detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸