Sans Superellipse Oslaj 12 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Navine' by OneSevenPointFive, 'PT Filter' by Paavola Type Studio, and 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, sturdy, industrial, friendly, impact, clarity, modernity, approachability, blocky, compact, rounded, geometric, high-impact.
A heavy, geometric sans with rounded-rectangle construction and broad, even strokes. Curves read as superelliptical rather than circular, giving counters a squarish softness, while joins and terminals stay clean and decisively cut. Proportions are compact with large counters for the weight, and the lowercase maintains a strong, simplified structure; the single-storey forms (notably the “a”) reinforce the geometric, constructed feel. Numerals and capitals carry a dense, poster-ready color with consistent rhythm and minimal modulation.
Best suited to headlines, posters, and short bursts of text where dense weight and clear silhouettes are an advantage. It can anchor branding systems, packaging, and signage that need a robust, modern voice, and it also works well for big typographic statements in UI or editorial callouts.
The tone is bold and no-nonsense, projecting solidity and certainty while the softened corners keep it approachable. It feels contemporary and utilitarian—more workwear than luxury—suited to messaging that should land quickly and with authority.
The design appears intended to deliver maximum impact with a geometric, superelliptical character—combining strong presence with softened corners for approachability. It prioritizes bold readability and a consistent, constructed rhythm over delicate detail.
Round letters like O/C/G lean toward squared bowls, producing a distinctive ‘soft box’ silhouette across the set. Diagonals (K, V, W, X) remain wide and sturdy, and apertures are kept relatively tight, which enhances punch at display sizes.