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Free for Commercial Use

Sans Superellipse Osmoy 10 is a bold, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Essential Pragmata Pro' by FSD, 'Eco Coding' by S-Core, 'Karben 205 Mono' by Talbot Type, and 'Biphoton' by Typodermic (names referenced only for comparison).

Keywords: code, ui labels, terminals, posters, packaging, industrial, technical, modern, utilitarian, assertive, structured rhythm, technical clarity, high impact, geometric feel, rounded corners, squared curves, compact, blocky, sturdy.


Free for commercial use
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A compact, heavy sans with monospaced spacing and a squared-off, superellipse construction. Curves resolve into rounded-rectangle forms, producing straight-sided bowls in letters like O, C, and G, and a generally boxy silhouette across the set. Strokes are consistently thick with minimal modulation, terminals are clean and mostly flat, and counters are relatively tight, giving the face a dense, ink-rich color. The lowercase mixes simple, geometric forms with a single-storey a and g, while numerals are equally blocky and legible within the fixed advance width.

Well-suited for code samples, terminal-style interfaces, and technical UI elements where fixed-width alignment is beneficial. The dense weight and squared curves also work for bold headlines, signage, and packaging that needs a compact, engineered look. It is most effective at medium to large sizes where its tight counters and heavy color stay clearly differentiated.

The overall tone is industrial and technical, with a pragmatic, no-nonsense voice. Its rounded-square geometry feels modern and engineered rather than friendly or calligraphic, projecting solidity and confidence. The strong, compact rhythm reads like labeling or instrumentation typography where clarity and uniformity matter.

The design appears intended to deliver a strong monospaced voice with a geometric, rounded-rectangular skeleton, balancing rigidity with softened corners. It prioritizes uniform rhythm, straightforward letterforms, and high visual presence for functional settings and impactful display typography.

Because every character occupies the same horizontal space, the texture becomes very regular, with noticeably even word shapes and predictable alignment. Rounded corners soften the otherwise rigid geometry, helping large, dark forms feel controlled rather than harsh. The design’s tight apertures and sturdy joins favor impact and structure over delicacy.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸