Font Hero

Endless Fonts
Free for Commercial Use
Download Now

Sans Normal Kenas 4 is a bold, normal width, low contrast, italic, normal x-height, monospaced font visually similar to 'Prima Sans Mono' by Bitstream, 'Bluteau Code' by DSType, 'CamingoMono' by Jan Fromm, and 'TheSans Mono' by LucasFonts (names referenced only for comparison).

Keywords: code, ui labels, terminal, packaging, posters, industrial, utilitarian, technical, retro, assertive, grid alignment, emphasis, technical clarity, system styling, slanted, blocky, compact, crisp, high-impact.


Free for commercial use
Customize the font name

A heavy, slanted sans with compact proportions and a consistent, cell-like rhythm typical of fixed-width designs. Strokes are sturdy and evenly weighted with mostly rounded joins and broad curves in letters like C, G, O, and Q, paired with flatter terminals and squared-off details in E, F, L, and T. The italic angle is pronounced but controlled, keeping counters open and forms stable; diagonals in A, K, V, W, X, Y, and Z feel straight and clean. Numerals are straightforward and sturdy, matching the letterforms’ dense color and uniform spacing.

Well suited to code-like settings, terminal-style interfaces, and any context that benefits from aligned characters such as tables, specs, and technical labels. The dense, emphatic texture also works for short headlines, callouts, and packaging where a sturdy, utilitarian voice is desired. It performs best when given enough size or spacing to keep the bold slanted forms from feeling crowded.

The overall tone reads practical and mechanical, with a faint retro-computing flavor. Its strong slant adds motion and urgency, while the uniform spacing keeps it disciplined and tool-like. The result feels direct, functional, and slightly rugged rather than elegant or delicate.

The design appears intended to deliver a robust fixed-width voice with added dynamism from an italic slant—combining the discipline of grid-aligned typography with the punch of a heavy, attention-getting texture. It prioritizes consistency, clarity, and a no-nonsense presence over refinement or expressive flourish.

Lowercase shapes maintain clear differentiation (notably a, e, g, and y) and preserve legibility despite the heavy texture. The strong typographic color and fixed-width spacing create a regular, grid-aligned cadence that stands out in blocks of text and short strings alike.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸