Sans Normal Boboh 5 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Gill Sans', 'Gill Sans MT', 'Gill Sans MT Cyrillic', 'Gill Sans MT Greek', 'Gill Sans MT WGL', and 'Gill Sans Nova' by Monotype; 'Humanist 521' by ParaType; and 'Humanist 521' by Tilde (names referenced only for comparison).
Keywords: ui, branding, editorial, signage, presentations, modern, neutral, clean, friendly, functional, clarity, versatility, legibility, modernization, simplicity, geometric, monolinear, rounded, open apertures, even rhythm.
This is a clean, monolinear sans with a largely geometric construction and smoothly rounded curves. Uppercase forms are straightforward and stable, with broad circular bowls (C, O, Q) and crisp, unembellished terminals. The lowercase is simple and readable, using single‑storey shapes for a and g, with generous counters and open apertures that keep words clear at text sizes. Spacing appears even and consistent, and the numerals follow the same restrained, contemporary rhythm, with balanced proportions and minimal detailing.
It suits interface typography, product and corporate communications, and general-purpose editorial layouts where an unobtrusive sans is needed. The clear lowercase shapes and open counters also make it a solid choice for wayfinding and informational signage, as well as presentations and dashboards.
The overall tone is modern and neutral, aiming for clarity rather than personality-driven quirks. Its round forms and open interiors give it a quietly friendly feel, while the disciplined geometry keeps it professional and matter-of-fact.
The font appears designed as a dependable, contemporary sans for everyday communication, prioritizing legibility, balanced proportions, and a consistent geometric rhythm. Its restrained detailing suggests an intention to perform well across a wide range of sizes and contexts without drawing attention away from the content.
The design maintains consistent stroke behavior across curves and straight stems, avoiding sharp contrast or calligraphic modulation. Diacritics and punctuation are not shown here, but the displayed glyphs suggest a pragmatic, interface-ready approach with emphasis on legibility and clean silhouette.