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Free for Commercial Use

Sans Normal Pedig 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Gimbal Grotesque' by AVP, 'Hanley Pro' by District 62 Studio, 'Otter' by Hemphill Type, 'ITC Blair' by ITC, and 'Averta PE' and 'Averta Standard PE' by Intelligent Design (names referenced only for comparison).

Keywords: headlines, posters, packaging, kids branding, signage, playful, friendly, retro, punchy, cartoony, display impact, approachability, retro flavor, informal tone, rounded, soft corners, bulky, bouncy, high impact.


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A heavy, rounded sans with compact counters, softened terminals, and a slightly irregular, hand-cut rhythm. The strokes are uniformly thick with minimal contrast, and many joins are gently blunted rather than sharply geometric, giving forms a slightly lumpy, organic feel. Uppercase letters sit solidly with broad shoulders and tight apertures, while the lowercase shows simple, single-storey constructions (notably a and g) and sturdy, blocky verticals. Numerals are wide and weighty with generous curves, built for strong presence rather than fine detail.

Best suited to display roles where bold, friendly shapes are an advantage—headlines, posters, event graphics, packaging, and playful brand identities. It can work for short blurbs or callouts in UI or editorial layouts, but longer passages benefit from larger sizes and generous spacing to keep the texture from feeling too dense.

The overall tone is upbeat and approachable, with a throwback, cartoon-signage energy. Its soft geometry and chunky silhouettes feel informal and welcoming, emphasizing fun over precision. The bouncy irregularity adds personality, making it feel lively and human rather than strictly engineered.

The design appears intended to deliver maximum visual impact with an approachable, humorous voice. It prioritizes big silhouettes, soft corners, and a slightly quirky rhythm to evoke retro display lettering and contemporary playful branding.

In text, the dense counters and tight openings can darken the texture at smaller sizes, while larger settings showcase the playful shapes and distinctive silhouettes. The punctuation and dots appear substantial and square-ish, matching the font’s stout, utilitarian rhythm.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸