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Blackletter Rymy 6 is a regular weight, narrow, high contrast, upright, short x-height font.

Keywords: posters, book covers, game titles, band logos, halloween promos, medieval, occult, dramatic, archaic, handwrought, evocation, texture, antique feel, dramatic display, gothic mood, textura-like, ragged edges, spiky terminals, broken strokes, incised feel.


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This font presents a blackletter-inspired skeleton with sharp, angular joins and pronounced thick–thin modulation. Strokes often look “broken” or chipped, with ragged edges and spiky terminals that mimic distressed pen or brush texture rather than clean vector outlines. Uppercase forms are compact and vertical with pointed serifs and occasional interior slashes or notches, while lowercase maintains a small x-height and tight, rhythmic counters. Overall spacing feels slightly irregular, reinforcing a hand-drawn, artifact-like presence.

Best suited for display typography such as posters, title treatments, album or band identities, book covers, and game or fantasy branding where atmosphere is primary. It also fits event promotions with gothic or horror themes and short, punchy wordmarks. For longer text, it will work most effectively in brief passages or pull quotes at larger sizes where the distressed detailing remains legible.

The tone is medieval and theatrical, with an occult, ritualistic edge created by the jagged detailing and ink-worn texture. It reads as historical and dramatic rather than polite or contemporary, suggesting parchment, woodcut, or gothic signage aesthetics. The slightly unruly outlines add urgency and grit, making the voice feel more ominous and story-driven than purely ornamental.

The design intention appears to be a handwrought blackletter that blends traditional gothic structure with deliberately distressed, ink-bitten texture. It aims to evoke historical craft—like worn calligraphy or woodcut lettering—while staying bold enough for modern display use. The result prioritizes mood, texture, and narrative character over neutral readability.

Numerals and lowercase follow the same angular, cut-stroke logic, keeping the set visually cohesive. The roughened contours and occasional internal cuts can reduce clarity at smaller sizes, while at display sizes they become a defining stylistic feature. Capital letters carry the strongest personality and will dominate typographic color in headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸