Hollow Other Kemu 2 is a bold, normal width, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, packaging, logotypes, kids, playful, retro, quirky, comic, whimsical, attention, nostalgia, playfulness, decoration, outlined, inline, decorative, chunky, rounded.
A chunky display face built from heavy outlined letterforms with an additional inner contour that creates a hollow, inline look. Strokes are generally rounded with softened corners and slightly bouncy geometry, while counters are simplified and often echo the outer shape for a layered, sign-like effect. Proportions vary by glyph, producing an intentionally uneven rhythm; diagonals and joins (notably in K, M, N, V, W) show idiosyncratic shaping and small internal cut-ins that emphasize the hollow construction. Numerals and lowercase follow the same outlined/inline system, maintaining strong silhouette clarity even as interior details add texture.
Best suited for short, prominent text such as posters, event titles, product packaging, and playful branding marks where the outlined inline effect can read clearly. It also works well for stickers, merch, and social graphics that benefit from a bold silhouette and a retro-comic flavor, especially when set at large sizes or with generous tracking.
The overall tone is cheerful and nostalgic, recalling hand-drawn signage and classic cartoon titling. Its hollow inline treatment gives it a lively, attention-grabbing presence that feels lighthearted rather than formal, with a slightly offbeat personality suited to fun, expressive messaging.
The design appears intended as a decorative, hollow inline display font that maximizes personality through layered contours and irregular interior cutouts. Its construction prioritizes memorable shapes and a hand-crafted feel over strict typographic neutrality, aiming to stand out in expressive, entertainment-oriented contexts.
The double-line construction and internal knockouts create strong contrast between figure and ground, but the interior detailing can become busy at smaller sizes. Spacing and glyph-to-glyph regularity feel deliberately relaxed, which adds character in headlines while reducing suitability for extended text.