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Free for Commercial Use

Sans Normal Yeri 3 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Plasto' by Eko Bimantara, 'Ciutadella Rounded' by Emtype Foundry, 'Muller' by Fontfabric, 'Alergia Grotesk' by Machalski, 'Ordina' by Schriftlabor, and 'Mario' by Tipo Pèpel (names referenced only for comparison).

Keywords: posters, headlines, packaging, branding, social media, playful, handmade, casual, friendly, energetic, add warmth, create impact, feel handmade, boost energy, brushy, chunky, rounded, lively, textured.


Free for commercial use
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A heavy, forward-leaning sans with rounded forms and a distinctly hand-rendered feel. Strokes are thick and compact, with subtly irregular edges and brush-like terminals that create a textured silhouette. Curves are full and soft, counters are generally open, and proportions vary slightly from glyph to glyph, producing a lively rhythm. The numeral set matches the same chunky, organic construction, maintaining strong color on the page.

Best suited to display settings where a friendly, handmade presence is desired—posters, headlines, packaging, café/food branding, and social graphics. It can work for short bursts of copy (taglines, callouts) where texture and personality are an asset, rather than for dense reading.

The overall tone is upbeat and informal, like quick marker or brush lettering translated into a sturdy display face. Its small irregularities read as personable and approachable, adding character without becoming overly decorative. The slanted stance and bold mass give it an energetic, attention-getting voice.

The design intention reads as a bold, brush-influenced sans that prioritizes warmth and immediacy. It aims to deliver high impact with an approachable, handcrafted texture, giving modern layouts a casual, human voice.

Spacing appears comfortable for short lines and headlines, while the textured outlines can visually thicken at smaller sizes or on low-contrast backgrounds. The mix of rounded bowls and occasional angular joins adds movement and prevents the forms from feeling overly uniform.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸