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Free for Commercial Use

Stencil Uksi 2 is a bold, narrow, monoline, italic, normal x-height font visually similar to 'Gibstone' by Eko Bimantara, 'Diamante EF' by Elsner+Flake, 'Refinery' by Kimmy Design, 'Navine' by OneSevenPointFive, 'Hype vol 3' by Positype, 'Diamante Serial' by SoftMaker, 'Gemsbuck Pro' by Studio Fat Cat, 'TS Diamante' by TypeShop Collection, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).

Keywords: posters, headlines, sports branding, apparel, packaging, industrial, tactical, retro, aggressive, sporty, impact, motion, ruggedness, utility, branding, slanted, condensed, high-contrast cuts, angular, mechanical.


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A condensed, right-slanted sans with uniform stroke weight and sharply cut terminals. The letterforms lean on straight strokes and tight apertures, with frequent diagonal slicing that creates crisp, geometric breaks and a strong forward rhythm. Stencil-like bridges appear consistently across rounds and counters, producing segmented bowls and notches that read clearly at display sizes. Overall spacing is compact and the silhouettes are tall and energetic, emphasizing verticality and speed.

Best suited for display typography: posters, event graphics, logotypes, and bold headlines where the segmented construction can be appreciated. It also fits sports and esports branding, apparel marks, equipment labeling, and packaging that benefits from an industrial or tactical voice. For long passages, its tight width and frequent breaks are more effective as accents than as continuous text.

The font conveys a tough, utilitarian tone with a fast, assertive edge. Its cut-and-bridged construction suggests machinery, equipment labeling, and performance branding, while the slant adds motion and urgency. The result feels both retro-industrial and modern tactical, suited to loud, attention-grabbing statements.

The design appears intended to merge a condensed, forward-leaning display structure with engineered stencil breaks for a rugged, technical identity. Its consistent slicing and bridges suggest a goal of maintaining strong readability while projecting speed, durability, and mechanical precision.

Numerals and key rounds (like O/0 and similar shapes) use distinctive internal breaks that heighten the technical feel and improve differentiation. The sample text shows strong word-shape cohesion in short bursts, with the most impact coming from the repeated diagonal cuts and the compressed proportions.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸