Sans Other Komum 1 is a bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Cairoli Classic' and 'Cairoli Now' by Italiantype and 'Kapra' and 'Lupo' by Typoforge Studio (names referenced only for comparison).
Keywords: posters, headlines, sports branding, packaging, logotypes, industrial, retro, sporty, urgent, mechanical, space-saving, speed cue, distinctive display, industrial flavor, condensed, slanted, stencil-like, angular, high-impact.
A tightly condensed, forward-slanted sans with heavy, compact forms and crisp, mostly straight-sided geometry. Many letters feature narrow internal cuts and split joints that create a stencil-like, segmented construction, producing sharp triangular counters and sliced terminals. Curves are simplified and restrained, with a consistent, punchy rhythm and compact spacing that reinforces a tall, columnar texture in words and lines. Numerals follow the same cut-and-slice logic, keeping the overall silhouette cohesive across the set.
Best suited to short, high-impact settings such as posters, headlines, brand marks, event graphics, and packaging where the stencil-like detailing can read clearly. It can also work for athletic or industrial-themed identities, labels, and signage-style compositions that benefit from a condensed, fast-leaning texture.
The tone is assertive and kinetic, with a utilitarian, engineered feel. The repeated slashes and segmented joins suggest speed, caution markings, and machine labeling, giving the face a distinctly retro-industrial and sporty attitude.
The design appears intended to deliver maximum impact in minimal horizontal space while adding a distinctive sliced construction for instant recognizability. Its condensed slant and segmented detailing emphasize motion and mechanical precision, aiming for bold display performance over quiet neutrality.
The internal cuts add strong character at display sizes but can visually fragment letterforms in longer text, especially where multiple sliced shapes cluster (such as in round letters and diagonals). The overall impression remains consistent due to uniform stroke presence and repeated angular motifs.