Print Imkeg 6 is a bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Neumatic Gothic' and 'Neumatic Gothic Round' by Arkitype and 'Rama Gothic Rounded' by Dharma Type (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, children’s media, playful, handmade, retro, friendly, quirky, compact display, handmade charm, playful branding, retro flavor, condensed, monoline, rounded, bouncy, casual.
This typeface uses tall, condensed letterforms with a monoline stroke and softly rounded ends. Shapes are simplified and slightly irregular in a controlled way, giving a drawn feel while maintaining consistent rhythm across words. Curves are narrow and vertical emphasis is strong, with tight internal counters and compact apertures that keep the overall texture dense. The lowercase shows a tall x-height with short extenders, and the numerals follow the same narrow, rounded construction for a cohesive set.
It’s well suited to display use such as posters, headlines, labels, and packaging where a compact width and strong vertical presence are useful. The informal, hand-drawn look also fits friendly signage, playful branding, and children-oriented or casual editorial applications, especially when set with a bit of extra spacing.
The overall tone is casual and approachable, with a quirky, handmade character that feels energetic rather than formal. Its condensed, upright stance and rounded terminals add a lighthearted, slightly retro flavor that reads as friendly and informal.
The design appears intended to deliver a hand-rendered, print-like voice with strong economy of width—combining a compact silhouette with rounded, simplified forms for quick visual impact. It prioritizes personality and readability at display sizes over strict geometric precision.
At text sizes the narrow proportions create a dark, vertical texture, so generous tracking and line spacing help maintain clarity. The slightly idiosyncratic shapes contribute personality in headlines and short phrases, where the unevenness reads as intentional charm rather than noise.