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Sans Superellipse Hugar 6 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Moldin' by Azzam Ridhamalik, 'Nearing Condensed Sans' by Fridaytype, 'Goudar HL' by Stawix, 'Robson' by TypeUnion, 'Maqui' by Typodermic, 'Aeroscope' and 'Amarow' by Umka Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, logos, industrial, punchy, retro, assertive, playful, impact, space-saving, signage, display, condensed, blocky, rounded, squared, compact.


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A compact, heavy display sans with rounded-rectangle construction and tightly enclosed counters. Strokes are consistently thick with minimal modulation, and terminals are blunt with soft corners, creating a superellipse-like geometry across bowls and straight-sided curves. Proportions are condensed with short extenders and a sturdy baseline, while interior spaces are small and uniform, giving the text a dense, poster-ready texture. The lowercase follows the same rigid, squared-round logic, with simplified forms and strong vertical emphasis.

Best suited for large-size applications such as headlines, posters, and bold brand statements where dense letterforms can deliver maximum impact. It can work well on packaging, labels, and editorial display lines that need a condensed, high-contrast presence against clean backgrounds. Use with generous tracking and line spacing when setting longer phrases to maintain readability.

The overall tone is bold and forceful with a sporty, industrial edge, yet the rounded corners keep it friendly rather than aggressive. Its compressed rhythm and blocky silhouettes evoke retro headline typography and attention-grabbing signage. The texture reads energetic and confident, well-suited to short, emphatic statements.

This design appears intended to deliver a strong, space-saving display voice built from rounded-rectangular geometry, prioritizing uniform weight and compact width for high-impact typographic blocks. The consistent, softened corners suggest an effort to balance muscular presence with approachability for contemporary branding and retro-leaning graphic treatments.

Rounded rectangular counters and narrow apertures are a defining feature, which increases visual impact but can reduce clarity at smaller sizes. The numerals match the same compact, geometric approach, producing a cohesive, uniform color in mixed alphanumeric settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸