Sans Superellipse Hudif 9 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Cord Nuvo' by Designova, 'Stallman Round' by Par Défaut, 'Robson' by TypeUnion, and 'Sharpix' by Umka Type (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, signage, industrial, retro, techy, assertive, playful, high impact, space saving, geometric flavor, retro tech, rounded corners, squared curves, condensed, blocky, compact.
A compact, heavy display sans with rounded-rectangle construction and smooth superelliptical curves. Strokes are consistently thick with softened corners, producing a sturdy, monolithic silhouette. Counters tend to be small and geometric, with several letters showing rectangular inner spaces and occasional slit-like apertures. Terminals are blunt and flat, and the overall rhythm is tight and vertical, emphasizing a tall, condensed stance and strong column-like spacing.
This face is best suited to headlines, posters, branding marks, packaging, and signage where compact width and high visual mass help text hold attention. It also works well for short UI labels or section headers in a tech or industrial theme when set with generous tracking and ample size.
The tone is bold and mechanical with a distinctly retro-futuristic flavor. Its rounded-square geometry reads as technical and industrial, while the softened corners keep it approachable and slightly playful rather than severe.
The design appears intended to deliver maximum impact in a narrow footprint, using rounded-rectangle geometry to suggest engineered precision and a vintage display sensibility. The consistent stroke weight and compact counters prioritize a strong silhouette and immediate recognizability over long-form readability.
The font’s character comes from its squared-off rounds (notably in C, O, Q, and the numerals), giving curves a boxy, engineered feel. The density of black and the restrained counterforms create high impact at display sizes, while finer details like small internal cutouts can become dominant in small text.