Sans Contrasted Ismu 6 is a bold, very wide, very high contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, gaming ui, branding, futuristic, techno, industrial, sci‑fi, arcade, futurism, tech branding, impact, systematic geometry, distinctive display, squared, angular, extended, modular, geometric.
A squared, extended display sans with heavy, blocklike forms and a modular construction. Counters are mostly rectangular and tightly controlled, with rounded outer corners used sparingly to soften otherwise hard geometry. Many glyphs use deliberate cut-ins and open apertures (notably in C, E, F, and S), producing a segmented rhythm and prominent horizontal emphasis. Thin hairline-like elements appear as long crossbars or terminals in several characters, creating a crisp contrasted texture against the dense main strokes. Spacing reads generous and the overall footprint is broad, giving the alphabet a low, wide stance that stays consistent across caps, lowercase, and numerals.
Best suited to large-size applications where its wide geometry and segmented details can read clearly: headlines, posters, packaging titles, and logo wordmarks. It also fits interface-like contexts such as game menus, sci‑fi theming, or tech/event branding where a mechanical, modular voice is desirable. For long passages or small text, the tight counters and stylized apertures may reduce comfort, so it performs strongest as an accent or display face.
The design projects a distinctly digital, engineered tone—more console interface than editorial text. Its segmented strokes and rectangular counters evoke industrial labeling, arcade-era sci‑fi, and synthetic UI typography. The contrast between thick blocks and thin linear strokes adds a sharp, high-tech tension that feels assertive and mechanical.
The font appears intended to deliver a futuristic, industrial voice through modular, rectangular construction and strong horizontal movement. By mixing dense strokes with occasional thin linear elements, it aims to create a distinctive “tech” signature while keeping letterforms systematically consistent across the set.
The lowercase largely echoes the uppercase architecture, reinforcing a unified, schematic feel rather than a traditional two-case calligraphic structure. Numerals follow the same squared logic with strong horizontals and occasional inline cuts, helping maintain consistency in dashboards or titling systems. Several forms prioritize stylization over conventional readability at small sizes, which is typical for a display-oriented design.