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Sans Contrasted Isku 13 is a very bold, very wide, high contrast, upright, normal x-height font.

Keywords: headlines, posters, logotypes, game ui, tech branding, techno, futuristic, industrial, arcade, assertive, sci-fi styling, impact, branding, interface look, modular forms, squared, angular, chamfered, extended, blocky.


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A squared, extended display sans built from heavy rectangular strokes with tight, engineered counters. Corners are frequently chamfered or notched, giving many letters a cut-in, panel-like construction rather than smooth curves. The rhythm is compact and dense: apertures are narrow, bowls are boxy, and curves (where present) are flattened into rounded-rectangle forms. Stroke endings are clean and blunt, with occasional horizontal spur details and stepped terminals that emphasize a constructed, modular feel. Numerals follow the same boxed logic, with strong horizontals and simplified inner spaces that keep forms stable at large sizes.

Best suited to display roles where its wide stance and squared detailing can read clearly—headlines, event posters, esports or gaming graphics, and technology-forward branding. It also works well for interface-style labels, product marks, and packaging that wants a mechanical or sci-fi voice, especially when set with ample spacing.

The overall tone is futuristic and mechanical, evoking sci-fi interfaces, arcade cabinets, and industrial labeling. Its heavy, squared geometry reads as confident and high-impact, with a slightly aggressive edge created by the notches and cut corners. The texture in paragraphs feels graphic and poster-like rather than bookish, leaning toward bold, synthetic energy.

The design appears intended to deliver a strong, futuristic identity through modular, squared letter construction and deliberate corner cut-ins. It prioritizes graphic impact and a machine-made aesthetic over neutral readability, aiming for a distinctive, high-presence look in branding and display typography.

Because counters and openings are tight, the design can visually “fill in” at smaller sizes or in dense settings; it benefits from generous tracking and larger display sizes. The distinctive cut-ins and rectangular counters make letterforms highly stylized, so clarity improves when used in short bursts like headings, logos, or UI-style callouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸