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Serif Contrasted Onpo 15 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Ysobel' by Monotype (names referenced only for comparison).

Keywords: headlines, editorial, magazine, book titles, posters, formal, classical, authoritative, literary, editorial impact, formal tone, classic authority, display clarity, crisp, vertical stress, hairline serifs, bracketless, sharp terminals.


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This typeface presents as a modern serif with pronounced thick–thin modulation and a clear vertical stress. Stems are sturdy and dark, while connecting strokes and interior joins taper to fine hairlines, creating a crisp, high-definition rhythm. Serifs are narrow and sharp with little to no bracketing, and terminals tend to end cleanly rather than softly rounded. Capitals are stately with compact counters and strong horizontal bars, and the overall texture reads dense and controlled in paragraph settings. Numerals and lowercase follow the same contrasted logic, with slightly condensed shapes and tight, disciplined proportions.

This font is well suited to headlines, deck copy, magazine features, and book or report titles where a strong editorial voice is desired. It can also work for pull quotes and formal branding elements that need a classic serif presence. For extended text, it is best used with comfortable leading and sizing to maintain clarity as the page color becomes quite dark.

The tone is formal and editorial, with a confident, institutional feel that reads as traditional but clean rather than ornate. Its strong contrast and sharp finishing give it a commanding, headline-ready presence, while the consistent structure keeps it composed in longer lines. Overall it suggests seriousness, credibility, and a classic publishing sensibility.

The design appears intended to deliver a contemporary, contrast-driven serif look with a traditional publishing backbone: sharp serifs, vertical stress, and disciplined proportions that emphasize authority and refinement in prominent typography.

In the sample text, the heavy main strokes produce a dark color on the page, so spacing and line breaks play an important role in keeping passages from feeling overly dense. The design’s crisp serifs and tapered joins are most striking at display sizes, where the hairlines remain legible and the contrast becomes a defining feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸