Sans Faceted Lara 4 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Midsole' by Grype, 'Refinery' by Kimmy Design, 'B52' by Komet & Flicker, 'Revx Neue' and 'Revx Neue Rounded' by OneSevenPointFive, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: headlines, logos, posters, signage, packaging, industrial, techno, sporty, utilitarian, assertive, impact, technical tone, modular system, display legibility, brand marking, faceted, octagonal, stencil-like, blocky, geometric.
A compact, heavy sans with angular, faceted construction throughout. Curves are largely replaced by straight segments and clipped corners, producing octagonal bowls and squared counters. Strokes are consistently thick with minimal modulation, and terminals are mostly flat with occasional chamfered cuts that create a crisp, engineered rhythm. The lowercase is sturdy and simplified, with single-storey forms and boxy punctuation-like details (notably the dotted i/j), while numerals follow the same cut-corner logic for a uniform, modular feel.
Best suited for display applications where impact and a technical voice are desirable, such as headlines, branding marks, poster typography, product packaging, wayfinding, and UI/overlay labeling in games or sports contexts. It can work for short bursts of text, but its dense, angular texture is most effective in titles and callouts rather than long-form reading.
The overall tone is mechanical and contemporary, evoking equipment labeling, digital hardware, and athletic or tactical branding. Its sharp facets and dense color give it an assertive, no-nonsense presence that reads as modern and functional rather than friendly or handwritten.
The design appears intended to translate a geometric, cut-corner visual system into a readable alphabet, prioritizing robustness and a manufactured look. By replacing curves with planar facets and keeping stroke weight steady, it delivers a consistent, modular style that stands out in bold, high-contrast compositions.
The faceting is applied consistently across straight and rounded shapes, which helps maintain coherence in mixed-case text. Wider letters like M/W and diagonals in V/X/Y feel stable and deliberate, reinforcing a constructed, sign-system aesthetic. In longer lines, the strong corners and tight internal spaces create a punchy texture best suited to display sizes.