Sans Faceted Abbab 11 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection, 'Joe College NF' by Nick's Fonts, 'Hurdle' by Umka Type, and 'Radley' by Variatype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, team apparel, gaming ui, industrial, sporty, tough, retro tech, assertive, maximum impact, geometric rigor, rugged clarity, display emphasis, angular, chamfered, blocky, octagonal, compact.
A heavy, block-built sans with crisp, faceted corners and straight-sided geometry. Curves are largely replaced by chamfers and clipped terminals, producing octagonal counters in rounds like O/0 and a sharply notched feel in forms like S and C. Strokes keep a consistent thickness with minimal contrast, and apertures are generally tight, giving the design a dense, high-impact texture. Lowercase echoes the same angular construction with squared bowls and hard joins, while numerals follow the same cut-corner logic for a cohesive set.
Best suited for short, attention-grabbing settings such as headlines, posters, packaging callouts, and logo or wordmark work where angular impact is desirable. It also fits sports and gaming contexts—team graphics, jersey-style applications, event signage, and bold UI labels—especially at medium to large sizes where the faceting reads clearly.
The overall tone is bold and utilitarian, with a rugged, engineered attitude that reads as confident and no-nonsense. Its faceted construction evokes stencil-like machining and scoreboard/sports lettering, creating an energetic, competitive flavor with a hint of retro digital hardware.
The design appears intended to translate a robust, modern sans into a faceted, cut-corner system that prioritizes strong silhouettes and visual punch over softness. By standardizing chamfers and minimizing curvature, it aims to deliver a mechanical, high-energy look that remains consistent across uppercase, lowercase, and numerals.
The clipped corners create distinctive internal shapes and strong silhouettes, but also reduce open white space in smaller details (notably in C/S/a/e), which can make text feel tight and compact. The design’s rhythm is driven by repeated right angles and diagonal chamfers, producing a consistent, hard-edged texture across long lines.