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Slab Square Totu 4 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Gimbal Egyptian' by AVP, 'Precious Serif' by G-Type, 'ITC Officina Serif' by ITC, 'CamingoSlab' by Jan Fromm, 'Directa Serif' by Outras Fontes, 'Gonia' by Typogama, and 'Pentay Slab' and 'Sextan Serif' by deFharo (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logo design, sporty, retro, assertive, editorial, industrial, impact, momentum, ruggedness, headline focus, retro recall, slab serif, bracketed slabs, rounded corners, ink-trap feel, compact apertures.


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A heavy, right-leaning slab-serif with sturdy, blocky letterforms and a tight, energetic rhythm. Strokes are broadly uniform, with squared, slab-like serifs that read as slightly softened at the corners, helping large black areas feel less rigid. Counters are compact and apertures tend to be narrow, giving the face a dense, punchy color. The italic is constructed rather than calligraphic, with consistent slant and robust joins, producing a confident, mechanically drawn texture in both capitals and lowercase.

Best suited to headlines and short display copy where the heavy slabs and italic motion can do the work of grabbing attention. It fits sports branding, bold packaging, event posters, and logo/wordmark explorations that want a rugged, retro-leaning presence. In longer text, it will benefit from generous leading and moderate tracking to offset the dense counters.

The overall tone is bold and driven, evoking vintage athletic and workwear typography with an editorial edge. Its pronounced weight and forward slant add urgency and momentum, making it feel competitive, promotional, and attention-grabbing rather than delicate or literary.

The design appears intended as a high-impact display italic that combines slab-serif sturdiness with a sense of speed. By keeping contrast low and forms compact, it aims to deliver strong presence and consistent texture across mixed-case text and numerals.

The design maintains strong clarity in key shapes (notably round forms like O/Q and numerals), while the dense interior spaces suggest it will look best when given a bit of breathing room. The numeral set matches the same chunky, slabbed construction for cohesive headline use.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸