Slab Contrasted Ihhe 7 is a very bold, normal width, medium contrast, italic, tall x-height font visually similar to 'FF Milo Slab' by FontFont, 'Sybilla Multiverse' and 'Sybilla Pro' by Karandash, and 'Bommer Slab' and 'Bommer Slab Rounded' by dooType (names referenced only for comparison).
Keywords: headlines, posters, packaging, sports branding, signage, assertive, vintage, sporty, editorial, industrial, attention, impact, motion, retro appeal, display clarity, bracketed, chunky, ink-trap-ish, wedge cuts, open counters.
A heavy, right-leaning slab serif with broad proportions, strongly bracketed slabs, and crisp wedge-like terminals. Strokes feel robust and slightly sculpted, with subtle modulation and softened joins that keep the texture from becoming rigid. The lowercase shows a tall x-height and compact ascenders/descenders, producing a dense, energetic line. Numerals and capitals are sturdy and squat, with open counters and clear interior shapes that hold up at display sizes.
Best suited to display typography where weight and slant can do the work—headlines, posters, event graphics, and bold editorial callouts. It also fits packaging and branding that want a retro-industrial or athletic voice, and it can function for short emphatic UI labels or signage when set with generous spacing.
The overall tone is bold and confident with a distinctly vintage, poster-like flavor. Its slanted stance and chunky slabs add motion and punch, giving it a sporty, headline-forward presence that reads as promotional and extroverted rather than quiet or literary.
Designed to deliver maximum impact with an italicized, slab-serif structure that stays readable through open counters and sturdy construction. The combination of heavy slabs, angled cuts, and tall lowercase proportions suggests an aim toward lively, attention-grabbing typography for contemporary display needs with a nod to classic poster and sports aesthetics.
The rhythm is built from strong vertical stems and prominent slabs, creating a dark, even color across words. Terminals often appear cut at angles, which adds a slightly mechanical, sign-painted character and helps keep shapes from feeling overly blunt in tight settings.