Sans Other Baket 3 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: display, headlines, logotypes, posters, ui labels, techno, futuristic, arcade, industrial, sci-fi, modular geometry, tech branding, digital signage, systematic style, graphic impact, squared, angular, octagonal, geometric, stencil-like.
A geometric sans with squared, octagonal construction and mostly uniform stroke weight. Corners are consistently chamfered, and curves are minimized in favor of straight segments and clipped terminals, producing a crisp, modular silhouette. Counters tend toward rectangular forms (notably in O, D, and 0), while joints and diagonals (K, R, X, Y) are built from hard angles rather than smooth curves. The lowercase follows the same blocky logic with compact apertures and simplified bowls, and the numerals are similarly rectilinear, emphasizing straight horizontals and verticals with occasional diagonal cuts.
Best suited for display sizes where the angular detailing and chamfered corners can read clearly—such as headlines, poster typography, game/tech branding, and short UI labels or dashboards. For extended text, it works most effectively in brief blocks where its strong geometric voice supports a high-tech or industrial theme.
The overall tone is futuristic and utilitarian, with a video-game or control-panel feel driven by its grid-like geometry and engineered detailing. Its clipped corners and squared counters read as precise and synthetic, evoking digital interfaces, arcade aesthetics, and sci‑fi signage.
The design intent appears focused on a modular, engineered sans that emphasizes squared geometry and consistent construction for a distinctly futuristic, system-like presence. Its clipped terminals and rectilinear counters suggest it was drawn to communicate technology, machinery, or digital environments with a bold, graphic footprint.
Many glyphs use distinctive internal cut-ins and notches (for example in B, Q, and some numerals), creating a slightly stencil-like, fabricated impression without breaking strokes into separate pieces. The rhythm is tight and mechanical, with letterforms that prioritize uniform geometry over calligraphic modulation.