Sans Faceted Ilpo 7 is a light, normal width, monoline, upright, normal x-height, monospaced font.
Keywords: ui labels, terminal-style text, tech branding, signage, schematics, technical, futuristic, industrial, digital, utilitarian, tech aesthetic, systematic construction, modular consistency, interface readability, angular, faceted, octagonal, geometric, modular.
This typeface is built from straight strokes with clipped corners that substitute for curves, producing an octagonal, faceted construction throughout. Strokes are uniform and open, with squared terminals and consistent corner chamfers that create a crisp, engineered rhythm. The proportions are compact and orderly, with tall, narrow forms, a clear two-storey structure avoided in favor of single-storey simplifications (notably in the lowercase), and generous interior counters that keep shapes legible. Figures and capitals follow the same modular logic, yielding a highly consistent texture in continuous text.
It suits compact labeling and information-dense settings where a structured, machine-like texture is desirable—such as interface labels, dashboards, diagrams, small headings, and environmental or wayfinding-style graphics. It can also work for tech-oriented logos and packaging where an angular, engineered voice is needed.
The overall tone feels technical and forward-looking, with a hardware-panel or sci‑fi interface flavor driven by its angular geometry and disciplined repetition. Its clean, schematic presence reads more like instrumentation or system labeling than expressive handwriting or editorial typography.
The design appears intended to translate a geometric, faceted concept into a practical text face with consistent stroke logic and predictable spacing. By replacing curves with chamfered corners and maintaining a uniform construction, it aims to deliver a distinctive techno aesthetic while staying readable in short paragraphs and UI-like copy.
The faceted corner treatment is applied very consistently across the character set, creating a distinctive silhouette without adding ornament. Circular letters (like O/0) become polygonal, and diagonals are used sparingly and cleanly, reinforcing a constructed, modular impression.