Sans Superellipse Wosu 2 is a very bold, very wide, high contrast, upright, tall x-height font.
Keywords: headlines, posters, logos, branding, gaming, futuristic, techno, space-age, playful, assertive, sci-fi display, strong branding, graphic impact, retro-future, rounded, modular, geometric, streamlined, ink-trap feel.
A chunky geometric sans built from rounded-rectangle and superellipse-like forms, with large counters and tightly controlled apertures. Many letters emphasize horizontal cut-ins and slot-like openings that create a banded, stencil-ish rhythm across bowls (notably in forms like E, S, and 8). Curves are smooth and inflated while joins and terminals tend to be blunt or softly squared, producing a modular, engineered silhouette. Proportions lean expansive with a tall x-height and simplified details; several uppercase characters use distinctive construction (e.g., a splayed, wedge-like K and a U-shaped T) that reinforces a custom display voice. Numerals follow the same language, with 8 and 9 featuring signature internal slits and a compact, rectilinear 7 and 4 for contrast.
Best suited for large-scale headlines, posters, and branding where its distinctive cut-in counters and rounded geometry can be appreciated. It also fits entertainment and tech-adjacent contexts such as gaming titles, esports identities, UI splash screens, and product or event signage. For smaller text, it will work more reliably in short bursts (labels, badges, callouts) than in long paragraphs.
The overall tone reads sci‑fi and techno, like interface lettering on equipment panels or retro-future signage. Its bold, rounded massing feels friendly but forceful, while the repeated horizontal incisions add motion and a “machined” character. The result is playful and stylized rather than neutral, with a strong identity that signals modernity and spectacle.
The font appears designed to deliver an instantly recognizable, retro-futurist display voice through superelliptical construction and repeated horizontal incisions. It prioritizes impact and stylistic cohesion across letters and numerals, aiming for a sleek, engineered look that remains approachable via rounded forms.
The design relies on intentional negative-space cuts and shallow apertures, so clarity depends on generous sizing and contrast in context. The quirky uppercase set (especially T, K, and W) makes it feel more like a headline/display face than a general-purpose workhorse, and the sample text shows it holding together best when tracking and line breaks avoid cramped collisions.