Font Hero

Endless Fonts
Free for Commercial Use
Download Now

Sans Normal Omrig 12 is a very bold, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Nomenclatur Mono' by Aronetiv, 'ATC Harris' by Avondale Type Co., 'Gravitica Mono' by Ckhans Fonts, and 'TT Commons™️ Pro' by TypeType (names referenced only for comparison).

Keywords: posters, headlines, signage, labels, packaging, industrial, utilitarian, rugged, playful, retro, impact, clarity, standardization, durability, blocky, rounded, bulky, compact, chunky.


Free for commercial use
Customize the font name

This typeface is built from heavy, compact strokes with rounded corners and broad, simplified curves. Letterforms feel slightly squared-off in their construction, with generous internal counters where possible and a consistent, even rhythm across characters. Lowercase shapes are sturdy and straightforward; the single-storey “a” and “g” reinforce an uncomplicated, workmanlike tone, while dots on “i/j” are large and clearly separated. Numerals are similarly robust, with rounded bowls and stable, blunt terminals that maintain strong presence at display sizes.

Best suited to large-scale applications where impact and immediacy matter—posters, headlines, packaging callouts, labels, and bold UI or wayfinding moments. The sturdy construction helps it remain legible under rough reproduction conditions and in high-contrast single-color layouts.

The overall impression is practical and no-nonsense, like labeling and signage lettering, but with enough softness in the rounding to read friendly rather than harsh. Its chunky mass and steady cadence create a confident, slightly retro-industrial voice that can also come across as humorous when set in longer phrases.

The design appears intended to deliver a strong, standardized voice with consistent spacing and a solid, block-like presence. It prioritizes bold readability and uniform texture, aiming for dependable display performance in practical, attention-getting contexts.

Diagonal forms (such as in K, V, W, X, Y) are thick and decisive, contributing to a strong, graphic silhouette. The design favors clarity and uniform texture over delicate detail, producing a dense typographic color that holds together well in bold headlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸