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Free for Commercial Use

Sans Normal Kerav 13 is a bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Whitney' by Hoefler & Co., 'CamingoDos SemiCondensed' by Jan Fromm, 'Corpid' and 'TheSans' by LucasFonts, 'Comenia Sans' by Suitcase Type Foundry, and 'Rehn Condensed' by moretype (names referenced only for comparison).

Keywords: headlines, posters, branding, sports, packaging, dynamic, sporty, confident, modern, energetic, impact, motion, display, visibility, modernity, oblique, geometric, rounded, compact, high-contrast curves.


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This typeface is a slanted, sans-serif design with a geometric, rounded construction and visibly smooth curve work. Strokes are heavy and fairly consistent, with subtle modulation showing up mainly where curves transition into joins and terminals. Counters are generous and open in rounded letters like O and 0, while straight-sided forms (H, N, M) keep a tight, forward-leaning rhythm. Terminals are mostly clean and unadorned, producing crisp silhouettes; the overall texture is compact and punchy, with a slightly varied visual width across glyphs that keeps the line lively.

It performs best where a bold, kinetic voice is needed: headlines, poster typography, brand marks, and campaign graphics. The strong slant and dense texture also suit sports and event identity systems, as well as packaging or labels that benefit from high visual impact. It is likely most effective from medium to large sizes where its shapes and counters can breathe.

The overall tone feels fast and assertive, with an athletic, motion-forward character driven by the strong slant and compact spacing. It reads as contemporary and attention-grabbing, projecting confidence without becoming ornamental. The rounded geometry softens the impact slightly, keeping it approachable while still emphatic.

The design appears intended to deliver a modern, high-impact italic sans for display use—combining geometric roundness with a forceful, forward-leaning stance. It emphasizes immediacy and visibility, aiming to stand out in short phrases, titles, and brand-forward messaging.

Uppercase forms appear built from simplified geometric parts, giving headings a strong, uniform presence, while the lowercase maintains clear differentiation through open apertures and distinctive joins. Numerals are sturdy and highly legible at display sizes, matching the same forward-leaning, energetic stance as the letters.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸