Sans Superellipse Fogun 6 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'EB Corp' by Eko Bimantara; 'Carnac', 'Carnas', 'Epoca Pro', and 'Orgon Plan' by Hoftype; and 'Danos' by Katatrad (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, sporty, assertive, modern, dynamic, punchy, impact, energy, modernity, speed, clarity, slanted, rounded, compact, soft-cornered, high-impact.
A heavy, slanted sans with broad strokes, low stroke modulation, and rounded-corner construction that reads as superellipse-like in its curves and counters. The forms feel compact and sturdy, with smooth joins and generally squared-off terminals softened by radiused edges. Round letters keep a slightly flattened, rounded-rectangle silhouette, while diagonals (V/W/X/Y/Z and many numerals) emphasize forward motion. Spacing appears fairly tight in text, creating dense, high-ink word shapes with a consistent, muscular rhythm.
Best suited to headlines, posters, and other short-form display settings where a dense, high-contrast-of-scale presence is desired. It can work well for branding, sports and fitness graphics, product packaging, and promotional messaging where speed, strength, and modernity are part of the brief.
The overall tone is energetic and forceful, with a contemporary, performance-oriented feel. Its forward slant and dense color convey speed and urgency, while the rounded geometry keeps it friendly rather than harsh. The result is a confident, attention-grabbing voice suited to bold statements.
The design appears intended to deliver maximum impact through a strong italic stance, simplified sans construction, and rounded superellipse-like geometry. It prioritizes bold, contemporary legibility and a fast, athletic rhythm that holds together in large blocks of text.
Capitals look built for display with strong, simplified silhouettes, while lowercase stays sturdy and readable at large sizes. Numerals are weighty and clear, matching the letterforms’ rounded-rectangular logic and maintaining consistent visual mass across the set.