Sans Superellipse Esgal 2 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'FF Good' by FontFont and 'JP Alva' by jpFonts (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, sporty, confident, modern, dynamic, industrial, impact, speed, modernize, approachability, branding, rounded corners, soft terminals, oblique, compact caps, large counters.
This typeface is a heavy, oblique sans with a rounded-rectangle construction that keeps curves taut and corners smoothly eased. Strokes stay largely even, with broad, blunt terminals and minimal modulation, creating a dense, high-impact texture. The capitals are compact and wide-shouldered, while rounds like C, O, and G read as squared-off superellipses with generous inner counters. Lowercase forms are sturdy and straightforward, with simple joins and a utilitarian rhythm; figures are equally robust, with open shapes and clear silhouettes that hold up at display sizes.
Best suited to headlines, brand marks, and short, emphatic messaging where its weight and slanted geometry can do the work. It also fits sports and automotive-style identities, packaging callouts, and promotional graphics that need a confident, modern sans with rounded detailing.
The overall tone feels assertive and energetic, combining a sporty slant with softened geometry. Rounded corners add approachability, but the weight and compactness keep the voice firm and performance-oriented. The result is contemporary and functional, suited to branding that wants momentum without looking sharp-edged.
The design appears intended to deliver a bold, contemporary sans voice built on superelliptical geometry, pairing strong legibility with a sense of speed. Its softened corners suggest an effort to balance toughness with friendliness, making it adaptable for commercial branding and energetic display typography.
The oblique angle is consistent across caps, lowercase, and numerals, helping lines of text feel fast and cohesive. Spacing and proportions appear tuned for headline impact, producing a strong, continuous typographic “bar” when set in longer phrases.