Sans Normal Kodiy 2 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Bio Sans' and 'Bio Sans Soft' by Dharma Type and 'PG Gothique' and 'PG Grotesque' by Paulo Goode (names referenced only for comparison).
Keywords: branding, headlines, posters, ui labels, signage, modern, dynamic, clean, confident, technical, add motion, modernize, improve clarity, project efficiency, increase impact, oblique, geometric, crisp, compact, forward-leaning.
A forward-leaning sans with crisp, clean outlines and a consistent oblique angle across capitals, lowercase, and figures. Strokes stay largely uniform with smooth, rounded curves in bowls and counters, paired with sharply cut terminals and diagonals that give the forms a taut, engineered feel. Proportions are balanced and contemporary: capitals appear sturdy and evenly set, while lowercase keeps a straightforward construction with clear apertures and compact rhythm. Numerals are simple and highly legible, matching the same slanted, no-nonsense drawing.
Works well for brand marks, headlines, and display lines that benefit from a sense of motion and modernity. It can also serve in UI labels, navigation, and signage where a clean sans impression and quick scanning are important, especially when a subtle energetic slant is desirable.
The overall tone is modern and energetic, with the slant adding motion and a sense of urgency without becoming expressive or calligraphic. It reads as purposeful and efficient—more “designed” than casual—making it feel at home in contemporary, tech-adjacent, or performance-minded branding.
The design appears intended to deliver a contemporary sans voice with built-in dynamism, combining geometric clarity with an assertive oblique stance. It prioritizes straightforward legibility and a sleek, efficient presence suitable for modern communication contexts.
The italic angle is strong enough to be immediately noticeable in continuous text, contributing to a fast visual cadence. Round letters maintain smooth continuity, while diagonal-heavy forms (like A, K, V, W, X, Y) emphasize the font’s sharp, directional character.