Sans Superellipse Dogur 1 is a light, normal width, monoline, upright, normal x-height, monospaced font.
Keywords: ui labels, dashboards, wayfinding, tech branding, packaging, techy, modular, clinical, retro-futurist, precise, systematic, grid-based, technical, screen-forward, neutral clarity, rounded corners, squared curves, geometric, boxy, minimalist.
A geometric sans built from rounded-rectangle strokes and squared-off curves, giving letters a superellipse feel. Corners are consistently softened while bowls and counters stay boxy, producing a clean modular rhythm. Stems and terminals maintain a uniform line weight with simple, mostly flat endings, and curves transition abruptly into straights rather than flowing continuously. The overall texture is orderly and grid-friendly, with compact apertures and a disciplined, schematic construction across uppercase, lowercase, and numerals.
This font performs well in interfaces, dashboards, and device screens where a compact, regular rhythm supports scanning. It can also suit wayfinding and labeling systems, as well as technology-oriented branding and packaging that benefits from a precise, engineered look. Short headings and callouts showcase the distinctive rounded-rect geometry especially well.
The tone reads modern and technical, with a slightly retro digital flavor. Its rounded-square geometry feels engineered and utilitarian rather than expressive, suggesting interface labeling, instrumentation, and system signage. The consistent modularity also lends a calm, controlled voice suitable for data-forward communication.
The design appears intended to translate a rounded-rect modular grid into a practical text face, balancing strict geometry with softened corners for a friendly technical aesthetic. It prioritizes consistency and systematic construction over calligraphic nuance, aiming for a clear, contemporary voice with a digital edge.
Distinctive forms include squared bowls on letters like C/G/O and similarly boxy numerals, paired with rounded corners that prevent the design from feeling harsh. The lowercase keeps the same constructed logic as the uppercase, and punctuation appears simple and unobtrusive, reinforcing the font’s functional, diagrammatic character.