Sans Other Urla 2 is a light, normal width, monoline, upright, normal x-height font.
Keywords: sci‑fi ui, headlines, posters, branding, tech packaging, techno, futuristic, digital, geometric, instrumental, constructed geometry, digital aesthetic, display impact, system consistency, octagonal, angular, square-rounded, modular, wireframe.
A crisp, monoline sans built from straight segments and shallow chamfers, giving most curves an octagonal, faceted look. Corners are consistently clipped rather than rounded, and terminals tend to end flat with clean right angles. Proportions are fairly compact with a steady rhythm, while counters are open and boxy, producing a tidy, engineered texture in text. Numerals and capitals share the same modular construction, with distinctive angular joins and simplified, rectilinear forms.
Best suited to display settings where its angular construction can carry a strong voice—interface mockups, sci‑fi or gaming graphics, tech-forward branding, titles, and short blocks of copy. It can also work for labels and packaging where a precise, engineered aesthetic is desirable, while longer reading may benefit from generous sizing and spacing.
The overall tone is technical and futuristic, with a schematic, digital feel reminiscent of display readouts and constructed lettering. Its sharp geometry reads as precise and controlled rather than friendly or calligraphic, projecting a modern, engineered mood.
The design appears intended to translate a modular, constructed geometry into a legible sans, prioritizing a consistent monoline skeleton and chamfered corners for a contemporary, tech-oriented character. Its simplified, faceted curves suggest an aim to evoke digital and industrial references while maintaining clear letter differentiation.
Several glyphs emphasize identity through chamfered diagonals and squared bowls, creating strong silhouette recognition even at a distance. The consistent stroke treatment across uppercase, lowercase, and figures gives the font a cohesive, system-like presence that favors clean edges over organic curves.