Sans Normal Ipras 15 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'CF Asty' by Fonts.GR; 'Mirai' by GT&CANARY; 'Avenir Next Cyrillic', 'Avenir Next Hebrew', and 'Avenir Next World' by Linotype; 'Neue Reman Sans' by Propertype; 'Rotunda' by TipoType; and 'Glot' and 'Glot Round' by Wordshape (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, stickers, playful, handmade, retro, loud, casual, impact, personality, handmade texture, display emphasis, brushy, rounded, chunky, textured, bouncy.
A heavy, slanted sans with chunky, rounded forms and an intentionally rough edge. Strokes have a brushy, slightly irregular outline that creates a printed/hand-inked texture, while counters stay fairly open for a weight this dense. The rhythm is energetic and a bit bouncy, with simplified joins and terminals that read as blunt rather than sharp; curves dominate and corners are softened throughout. Numerals and caps match the same compact, punchy construction, producing a strong, high-ink silhouette in blocks of text.
Best suited to short, high-impact settings such as headlines, poster titles, packaging callouts, and bold brand marks where texture is an asset. It can work for punchy subheads or short captions when set with generous size and leading, but the dense weight and rough edges favor display use over extended reading.
The overall tone is upbeat and informal, with a gritty handmade feel that suggests posters, stickers, and DIY branding. Its bold presence and textured edges add attitude and a bit of retro immediacy, making it feel friendly but emphatic rather than refined.
The design appears intended to deliver maximum impact with a friendly, hand-rendered character, combining rounded sans construction with a deliberately imperfect, inked finish. It emphasizes immediacy and personality, trading crisp precision for tactile texture and energetic motion.
The rough perimeter is consistent across glyphs, giving the face a cohesive “inked” color on the page. In longer lines the heavy strokes and angled stance create strong forward motion, so spacing and line breaks will noticeably shape readability at smaller sizes.