Sans Normal Opdab 11 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Alamia' by Ani Dimitrova, 'Novel Display' by Atlas Font Foundry, 'ITC Stone Sans II' by ITC, and 'Schnebel Sans ME' and 'Schnebel Sans Pro' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, confident, modern, approachable, utilitarian, impact, clarity, approachability, modern branding, rounded, soft corners, clean, compact, high-clarity.
This typeface presents a sturdy, heavy sans construction with smooth, rounded curves and mostly straight terminals that read as gently softened rather than sharply cut. Proportions are compact with wide bowls and counters that stay open at display sizes, and the overall rhythm is even and steady across uppercase and lowercase. The lowercase has simple, single-storey forms (notably the a and g), a short-armed t with a small crossbar, and a compact r that keeps the silhouette tight. Numerals are similarly robust and rounded, with clear interior spaces and a consistent stroke feel throughout.
It performs best in short to medium-length text at larger sizes—headlines, posters, branding lockups, packaging, and bold interface labels—where its compact proportions and solid color can create impact. It can also suit signage or wayfinding contexts that benefit from a clear, sturdy sans presence.
The overall tone is straightforward and friendly, pairing a modern, no-nonsense build with soft curvature that keeps it from feeling cold or mechanical. Its weight and clarity give it a confident, attention-getting presence while remaining approachable and easy to scan.
The design appears intended to provide a modern, high-impact sans with rounded, friendly geometry—balancing strong emphasis with clean, uncomplicated letterforms for reliable display communication.
In the sample text, the dense color and compact letterforms create a strong typographic block with minimal sparkle, making it feel stable and emphatic. Round letters like O, C, and G appear near-circular, reinforcing a geometric-leaning voice with softened edges.