Sans Normal Opdab 1 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Alfabetica' by Eurotypo, 'FS Blake' by Fontsmith, 'Conamore' by Grida, 'Big Vesta' and 'Praxis Next' by Linotype, 'Akagi' and 'Akagi Pro' by Positype, and 'Newbery Sans Pro' by Sudtipos (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, modern, friendly, straightforward, sporty, display impact, modern clarity, brand presence, quick recognition, geometric, clean, rounded, blocky, compact.
A heavy, geometric sans with clean, continuous curves and sturdy straight strokes. Round letters are built on near-circular bowls with smooth joins, while corners on forms like A, M, N, V, and W stay crisp and decisive. Terminals are predominantly flat and horizontal/vertical, giving an even, engineered rhythm. Counters are relatively compact in letters such as B, P, R, and e, and the overall spacing feels tight but orderly, producing a dense, high-impact texture in text. Numerals are simple and robust with consistent stroke logic and clear silhouettes.
Best suited to headlines, posters, and branding where a solid, modern presence is needed. It also works well for packaging, wayfinding, and short UI labels where sturdy letterforms aid quick recognition. For longer passages, it performs most comfortably at larger sizes or with generous leading to offset its dense texture.
The font communicates confidence and clarity with a contemporary, no-nonsense tone. Its rounded geometry keeps it approachable, while the dense weight and controlled shapes add authority and punch. The overall impression is pragmatic and modern, with a slightly sporty, headline-forward energy.
The design appears intended to deliver a contemporary geometric sans that prioritizes impact and legibility through simplified, sturdy shapes. Its consistent construction and compact interior spaces suggest a focus on strong silhouette recognition and reliable performance in display contexts.
Lowercase forms lean toward single-storey construction where applicable (notably the a and g), reinforcing a geometric, contemporary feel. The i/j dots are compact and round, and the Q uses a small, straightforward tail that preserves the clean, constructed look. In paragraph-sized samples, the dark color and compact counters create strong emphasis and can read best with comfortable line spacing.