Slab Square Toli 2 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Boton' by Berthold, 'Dean Slab' by Blaze Type, 'Ciutadella Slab' by Emtype Foundry, 'DilleniaUPC' by Microsoft Corporation, 'DIN Next Slab' by Monotype, and 'Typewriter' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, assertive, retro, sporty, editorial, industrial, impact, motion, ruggedness, attention, display strength, blocky, bracketless, compact, high-impact, angular.
A heavy italic slab-serif with sturdy, block-like forms and flat, square-ended serifs. Strokes are broadly weighted with moderate contrast and a forward lean that creates a strong left-to-right rhythm. Counters are relatively tight and apertures tend toward compact, reinforcing a dense, punchy texture. Terminals and joins favor crisp angles over softness, while the numerals and caps maintain a consistent, poster-ready presence.
Best suited to headlines, posters, and bold branding where impact and momentum are desired. It can also work well for sports-themed graphics, packaging titles, and editorial callouts where a dense, emphatic italic is helpful. For long reading, its heavy color and tight interior spaces suggest using it sparingly as an accent face.
The overall tone is bold and energetic, with a confident, workmanlike flavor. Its slanted, chunky construction reads as sporty and headline-driven, while the squared slabs add a vintage, industrial seriousness. The result feels direct and attention-seeking rather than delicate or quiet.
The design appears intended to deliver maximum visual punch through a combination of strong weight, italic movement, and squared slab serifs. It prioritizes clear, durable letterforms that retain presence at distance and under bold layout treatments.
Spacing appears designed to hold together in large sizes, producing a dark, unified color on the line. The italic angle is pronounced enough to convey motion without becoming script-like, keeping the voice firmly in the realm of display typography.