Sans Superellipse Utbek 8 is a regular weight, wide, monoline, upright, normal x-height font visually similar to 'Artegra Sans' by Artegra and 'FM Bolyar Sans Pro' by The Fontmaker (names referenced only for comparison).
Keywords: ui labels, app design, tech branding, signage, headlines, techy, futuristic, clean, friendly, modernity, clarity, systematic, distinctiveness, squared, rounded, geometric, modular, streamlined.
A geometric sans with a rounded-rectangle (superellipse) skeleton and consistent stroke weight. Curves resolve into broad, softened corners, giving bowls and counters a squarish, engineered feel rather than circular. Terminals are mostly flat and clean, and the overall construction reads modular with a steady, even rhythm. Uppercase forms are sturdy and open; lowercase keeps simple, single-storey shapes and generous apertures, supporting clear word silhouettes. Numerals and punctuation follow the same rounded-rect logic, with smooth interior corners and uniform stroke behavior.
Works well for interface typography, dashboards, and product UI where a clean, contemporary shape language fits. Its distinctive rounded-square geometry also suits tech and consumer-electronics branding, short headlines, wayfinding, and packaging where a modern, engineered voice is desirable.
The tone is modern and tech-forward, balancing a futuristic, UI-like precision with approachable softness from the rounded corners. It feels controlled and efficient rather than expressive, making it well suited to contemporary digital environments where clarity and a distinctive geometric voice are both desired.
Likely designed to deliver a contemporary geometric sans optimized for clarity while standing apart through superelliptical, rounded-rectangle forms. The consistent stroke weight and simplified structures suggest an emphasis on systematized shapes and dependable readability in modern branding and digital contexts.
The design’s identity is driven by its squarish curves: letters like C, G, O, S, and U appear formed from softened rectangles, and the diagonals (A, K, V, W, X, Y) stay crisp without introducing calligraphic contrast. Overall spacing appears comfortable, helping the wide, geometric forms remain legible at display sizes.