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Sans Superellipse Enmug 1 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Futo Sans' by HB Font; 'ITC Handel Gothic' by ITC; 'Olney' by Philatype; 'Sans Beam' by Stawix; and 'Celdum', 'Metral', and 'Nauman Neue' by The Northern Block (names referenced only for comparison).

Keywords: branding, sportswear, tech ui, signage, posters, techy, sporty, sleek, efficient, modern, convey speed, modernize ui, technical clarity, brand distinctiveness, systematic geometry, rounded, oblique, geometric, streamlined, compact.


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A geometric sans with an oblique slant and softened, squared-off curves that read as superellipse-based. Strokes are largely monolinear with squared terminals that often finish on angled cuts, creating a crisp, engineered edge. Counters are rounded-rectangular, with generous corner radii and a slightly condensed feel in round letters. The uppercase is built from simple, stable structures, while the lowercase keeps a single-storey a and g and a clean, open rhythm. Numerals follow the same rounded-rectangle logic, staying uniform and legible with minimal contrast and consistent stroke endings.

This style suits brand identities that want a modern, engineered voice—especially in technology, mobility, and athletic contexts. It works well for headlines, logos, product names, interface labels, and wayfinding where a sleek italicized sans can convey motion and clarity.

The overall tone is contemporary and performance-oriented, balancing friendliness from the rounded geometry with a purposeful, forward-leaning motion. It suggests speed and precision rather than softness, giving it a technical, utilitarian character that still feels approachable.

The design appears intended to deliver a fast, streamlined italic sans built on rounded-rectangular geometry, prioritizing a coherent system of curves and terminals for a clean, contemporary look. The consistent oblique angle and compact, controlled shapes aim to communicate efficiency and forward momentum without sacrificing basic legibility.

The slant is consistent across caps, lowercase, and figures, and the angled terminals amplify the sense of directionality. Rounded corners and flattened curves keep forms tidy at larger sizes while maintaining clear differentiation between similar shapes like O/0 and I/1 in the samples shown.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸