Sans Normal Afmep 1 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Jano Round' and 'Jano Sans Pro' by Craceltype, 'Linear Grotesk' by Designova, 'Binate' and 'Nolan Next' by Monotype, 'Daikon' by Pepper Type, 'Reyhan' by Plantype, 'Movida' by ROHH, and 'Core Sans A' by S-Core (names referenced only for comparison).
Keywords: branding, headlines, posters, ui labels, signage, modern, dynamic, clean, technical, sporty, emphasis, modernization, motion, clarity, versatility, oblique, geometric, rounded, streamlined, open apertures.
A slanted, geometric sans with smooth, rounded curves and largely uniform stroke thickness. Letterforms are built from clean circular and elliptical structures, with open counters and apertures that keep the shapes legible at speed. Terminals are mostly straight or softly rounded, and the oblique angle is consistent across uppercase, lowercase, and numerals, creating a forward-leaning rhythm. The proportions feel balanced and contemporary, with clear, stable numerals and a tidy overall silhouette.
Well-suited for branding and headline settings where a crisp, forward-leaning sans can add momentum. It also works for UI labels, navigation, and signage that benefits from clear shapes and open counters, especially when an emphasized, italicized voice is desired without switching to a different style.
The overall tone is modern and energetic, with an engineered, aerodynamic feel. Its steady oblique stance suggests motion and emphasis without becoming decorative, giving it a confident, contemporary voice suited to active and tech-adjacent messaging.
The font appears designed to provide a purpose-built oblique companion for contemporary sans typography, combining geometric construction with smooth readability. The consistent slant and clean, low-contrast strokes aim for a modern, energetic emphasis that remains controlled and functional.
The design maintains a consistent slant and smooth curvature, producing even texture in text. Rounded shapes (notably in C, G, O, Q and the numerals) anchor the geometric theme, while open interior spaces help prevent dark spots in lines of copy.