Sans Superellipse Oglez 1 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Brampton' by Letterhend, 'Sicret' by Mans Greback, 'Conthey' by ROHH, 'Core Mellow' by S-Core, 'Aldo Pro' and 'Aldo Pro Round' by Sacha Rein, and 'Propane' by SparkyType (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, signage, playful, retro, friendly, bold, chunky, display impact, friendly branding, retro modernity, geometric consistency, rounded, soft corners, compact, geometric, monoline.
A heavy, compact sans with rounded-rectangle construction and consistently softened terminals. Strokes are monoline and substantial, producing dense counters and a strong, blocky silhouette. Curves tend toward superelliptical shapes rather than true circles, with flat-ish shoulders and rounded corners that give letters a squared-off roundness. Spacing reads even and deliberate, and the overall rhythm is stable, prioritizing solid shapes and clear word blocks over fine detail.
Best suited to display sizes where its dense strokes and soft-corner geometry can read as a strong graphic element. It works well for branding and logos that want an approachable, retro-leaning voice, as well as posters, packaging, and short-form signage where impact and friendliness matter more than fine typographic nuance.
The tone is upbeat and approachable, with a distinct retro display flavor. Its thick, rounded geometry feels friendly and informal, suggesting a pop, mid-century, or arcade-adjacent character without becoming gimmicky. The weight and softened corners also add a cozy, welcoming presence in headlines.
Likely designed to deliver maximum visual presence in a compact footprint while maintaining a friendly, rounded personality. The consistent superellipse-based forms and heavy monoline strokes suggest an intention to create a highly uniform, logo-ready display sans with a distinctive, soft-edged geometry.
Capitals lean toward simple, architectural forms with broad curves and minimal modulation, while the lowercase maintains the same chunky, rounded logic for a cohesive texture in text. Numerals share the same squarish-round construction, reading sturdy and graphic at a glance.