Sans Superellipse Oglig 3 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Harman' by Ahmet Altun, 'Chamelton' by Alex Khoroshok, 'Chevin Pro' and 'Chevin Std' by G-Type, 'PF Handbook Pro' by Parachute, 'Electrum' by Tower of Babel, and 'DINosaur' by Type-Ø-Tones (names referenced only for comparison).
Keywords: logos, posters, packaging, headlines, kids media, playful, friendly, chunky, retro, approachable, friendly impact, soft geometry, retro warmth, brand presence, rounded, soft corners, blobby, geometric, high contrast-free.
A heavy, rounded sans with smooth, monoline strokes and strongly softened corners throughout. Curves are built from squarish, superellipse-like bowls, giving counters a compact, rectangular-round feel rather than purely circular geometry. Terminals are broadly rounded and joins are thick and cushioned, producing a sturdy silhouette with minimal sharpness. Spacing reads moderately open for such a dense weight, keeping letterforms distinct, while the uppercase remains clean and blocky against a more irregular, bouncy lowercase.
Best suited to branding and display work where a friendly, rounded presence is desirable—logos, packaging, product labels, posters, and punchy headline settings. It can also work for short UI labels or signage when a soft, approachable tone is needed, but longer text will benefit from generous size and leading due to the dense weight and tight counters.
The overall tone is warm and informal, with a bold, toy-like softness that feels cheerful and accessible. Its rounded massing and compact counters suggest a nostalgic, mid-century-inspired friendliness, leaning more toward fun and personality than austerity or technical precision.
The design appears intended to deliver a bold, highly legible display sans with a soft, rounded-rectangle construction that reads as friendly and modern-retro. It aims to balance strong impact with reduced harshness by eliminating sharp terminals and emphasizing cushioned geometry.
Distinctive details include chunky numerals with rounded corners, a single-storey “a,” simple geometric construction across bowls, and a lowercase rhythm that introduces gentle quirks (notably in “k,” “r,” and “t”) without breaking overall cohesion. The heavy weight and compact apertures make it most comfortable at display sizes where the soft geometry can breathe.