Sans Superellipse Ehrim 4 is a regular weight, narrow, low contrast, italic, normal x-height font visually similar to 'PF DIN Text' by Parachute, 'Core Sans D' by S-Core, and 'Pulse JP' by jpFonts (names referenced only for comparison).
Keywords: ui labels, wayfinding, branding, posters, packaging, clean, agile, contemporary, technical, sporty, space saving, modernization, motion, clarity, neutrality, condensed, oblique, rounded, monoline, airy.
This is a condensed, oblique sans with monoline strokes and gently rounded terminals. Letterforms are drawn with a smooth, superelliptical logic: curves feel squared-off yet soft, and counters stay open and tidy. The uppercase is tall and streamlined with restrained joins, while the lowercase maintains a straightforward, utilitarian construction and clear rhythm. Overall spacing and proportions emphasize verticality and economy, producing a crisp, efficient texture in text.
It suits compact settings where space is tight—interface labels, navigation, and informational graphics—while the oblique energy also works for sporty branding, headlines, and contemporary packaging. The clean, low-friction shapes make it a solid choice for modern editorial callouts or short paragraphs when a brisk, condensed voice is desired.
The slanted stance and taut proportions give the face a sense of speed and forward motion. Its rounded-rectangle curves keep the tone friendly and accessible, balancing a technical, engineered feel with modern clarity. The result is confident and pragmatic rather than expressive or decorative.
The design appears intended to deliver a fast, contemporary sans voice with a compact footprint, using softened superelliptical curves to avoid harshness. The consistent oblique construction suggests an emphasis on motion and emphasis without resorting to decorative detailing.
Round letters like O and Q read as softly squared, and the numerals follow the same streamlined geometry with simple, modern shapes. The italic angle is consistent across cases, helping mixed-case settings feel unified and purposeful. In longer samples, the condensed width produces a compact line while preserving legibility through open apertures and uncomplicated forms.