Sans Faceted Affi 7 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Canby JNL' by Jeff Levine and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, packaging, industrial, athletic, techy, authoritative, edgy, impact, modernize, industrialize, brand presence, display clarity, chamfered, octagonal, blocky, condensed, angular.
A compact, heavy display sans built from straight strokes and chamfered corners that replace curves with crisp facets. Counters tend toward squared or octagonal shapes, and terminals are cut flat, giving letters a machined, stenciled-in-metal feel without true stencil breaks. The proportions are condensed with tight sidebearings, and the stroke weight stays consistent across verticals, horizontals, and diagonals, producing a dense, high-impact rhythm in text. Lowercase shares the same geometric, faceted construction as the caps, with simple, squared dots on i/j and compact bowls throughout.
Best suited to short, high-contrast settings such as headlines, posters, wordmarks, and bold labels where its faceted geometry can be appreciated. It also fits sports and performance branding, product packaging, and UI moments like section headers or badges where a compact, punchy texture is desirable.
The overall tone is tough and utilitarian, with a sporty, scoreboard-like presence and a modern, engineered edge. Its sharp facets and compressed mass read as energetic and assertive, evoking industrial labeling, action branding, and hard-edged tech aesthetics.
The design appears intended to translate a condensed grotesque skeleton into a sharply faceted, machine-cut style that maintains strong legibility while delivering maximum impact. By standardizing chamfers and keeping stroke weight uniform, it aims for a consistent, industrial display voice across both uppercase and lowercase.
Diagonal joins and corner chamfers are used consistently, which keeps the texture even at large sizes. Rounded letters (such as C, O, S) are rendered as multi-sided forms, emphasizing the font’s planar geometry and contributing to a distinctly mechanical voice.