Sans Faceted Abmah 12 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Refinery' by Kimmy Design, 'MC Magtons' by Maulana Creative, 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'Grand' by North Type, 'Entropia' by Slava Antipov, 'Hornsea FC' by Studio Fat Cat, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, industrial, athletic, authoritative, retro, mechanical, impact, space saving, signage, ruggedness, modernize, angular, blocky, chamfered, condensed, compact.
A compact, heavy display sans built from straight strokes and clipped corners, replacing curves with chamfered facets. Counters are small and mostly rectangular, with consistent stroke weight and tight internal spacing that keeps the color dense. The forms are predominantly vertical and rectangular, with occasional angled joins (notably in diagonals) that add a machined, cut-metal feel. Lowercase follows the same constructed logic as the capitals, and numerals are similarly squared and sturdy, maintaining a uniform, poster-ready rhythm across the set.
Best suited to headlines, title treatments, and short bursts of text where impact and compact width are priorities. It works well for sports graphics, industrial or tech-leaning branding, packaging callouts, and signage-style applications where a bold, cut-corner aesthetic helps the message stand out.
The overall tone is forceful and utilitarian, evoking signage, stenciled hardware, and competitive sports typography. Its hard facets and compressed stance give it a no-nonsense, high-impact presence that reads as assertive and energetic rather than refined.
The design appears intended to deliver maximum punch in a tight horizontal footprint while maintaining a consistent, engineered geometry. By using chamfered facets instead of curves, it creates a distinctive industrial texture that stays legible and cohesive across letters and figures.
At larger sizes the faceting becomes a defining texture, creating crisp highlights at corners and terminals. In longer lines the dense weight and tight apertures can make word shapes feel compact, emphasizing blocky silhouettes over delicate internal detail.