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Free for Commercial Use

Sans Superellipse Hugar 1 is a very bold, narrow, monoline, upright, tall x-height font visually similar to 'Cord Nuvo' by Designova, 'Nearing Condensed Sans' by Fridaytype, 'Lekra SS' by Sensatype Studio, 'Robson' by TypeUnion, and 'Sharpix' by Umka Type (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, industrial, poster, retro, athletic, assertive, space saving, high impact, bold labeling, geometric uniformity, modern retro, condensed, blocky, rounded, geometric, compact.


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A condensed, heavy sans with rounded-rectangle (superelliptic) bowls and strongly squared-off terminals. Strokes remain even throughout, producing a compact, monolithic texture with minimal contrast and tight internal counters. Curves are softened rather than circular, and joins stay clean and orthogonal, giving letters a sturdy, engineered feel. Numerals and capitals share the same dense rhythm, while lowercase forms keep a high, compact profile that maintains consistent color across lines.

Best suited for short, high-impact settings such as headlines, posters, logos/wordmarks, product packaging, and bold signage where its dense forms read as confident and purposeful. It can also work for athletic/event graphics and labels where a compact, space-efficient line length is helpful.

The overall tone is bold and utilitarian, with a sporty, poster-forward presence. Its compressed proportions and chunky silhouettes evoke industrial labeling, vintage display type, and team/competition graphics. The rounded corners temper the aggressiveness, adding a controlled, modernized retro flavor rather than a purely mechanical coldness.

The design appears intended to deliver maximum impact in a narrow footprint, combining a geometric, rounded-rectangle construction with uniform stroke weight for a consistent, punchy typographic color. It prioritizes bold legibility and a cohesive industrial/display voice over delicate detail.

In the sample text, the tight counters and condensed width create a strong vertical cadence and high ink coverage, which can feel impactful at large sizes but visually dense in longer passages. The punctuation and small details appear simplified to match the blocky construction, reinforcing a cohesive, sign-like aesthetic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸