Sans Normal Nudod 6 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Bakrie' by 160 Std, 'Madani' and 'Madani Arabic' by NamelaType, and 'Gilroy' by Radomir Tinkov (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, signage, friendly, playful, chunky, bold, retro, attention, approachability, simplicity, display impact, rounded, geometric, soft corners, wide apertures, circular counters.
A heavy, rounded geometric sans with smooth, largely uniform strokes and compact, solid silhouettes. Curves are built from near-circular bowls and counters, while joins and terminals stay clean and blunt, giving letters a cut-out, poster-like presence. The uppercase is broad and stable with simplified forms, and the lowercase leans toward single-storey constructions with generous, open shapes and prominent circular counters. Numerals follow the same chunky geometry, maintaining consistent weight and clear, simple structure.
Best used where impact and friendliness matter: posters, big headlines, packaging, and signage. It also suits brand marks and short bursts of copy where the rounded, geometric voice can carry the design, while longer text is likely most comfortable at larger sizes due to the dense weight.
The overall tone is upbeat and approachable, with a toy-like softness that reads as modern-retro. Its dense black shapes and rounded construction feel confident and attention-grabbing without turning aggressive, making it well suited to cheerful, informal messaging.
The design appears intended to deliver maximum visual weight with a soft, rounded personality, combining geometric structure with simplified, highly legible forms. It aims for a contemporary display sans that feels playful and approachable while remaining clean and graphic.
Large counters in letters like O, P, and R and the generally open apertures help keep the heavy weight readable at display sizes. Diagonal and angular letters (A, K, M, N, V, W, X, Y, Z) are rendered with straightforward, geometric cuts that match the font’s circular rhythm, creating a cohesive, constructed look.